...After 8 years of just being dapperly drunk all the time writer David Von Behren endeavors to go 40 days without slurping an alcoholic libation, living to tell the tale by blogging about his daily snorkel into sobriety one day at a time, airing out his liver like fresh spring linen, forgoing the substance that has been his creative rod and staff in order to chronicle the dreams of all mankind...
The neon signs go dim. The bartender carols out "Last Call." What commenced in the Spring has transitioned into Fall A sabbatical deemed by critics as abstemious yet forlorn To go forty days w/out beer, "Hey, Why not just give up porn?"
Forty days sans a cold one, a six pack, 24 case or pitcher Forty days to make my liver inestimably richer Forty days w/out Happy hour, Keg stands, beer pong, late-night frolick Forty days to learn that N/A stands for non-alcoholic.
Forty days, a scrupulous intense self-analytic rout You only dream of rain in the midst of a creative draught Words, manna from heaven, 40 days on which to feed- -and now is the time to thank those of you who took the time to read--
As Vermouth is to a Martini, as Kim Deal is to The
Breeders This poem is a Toast of gratitude just for you, my dear
readers:
There is Larry Bradley who writes about Barber shops
in crisp stanzas as if with shears Jake Long who whenever I need a friend to talk has
perenially been near. David Hale's insight guides me like a
Peruvian Shaman And even though she smokes ersatz e-cigarettes I
still adore you, Brianne Ahmann.
There's Regina Mooney whose lips remind me of college French
and senior walk My oh my how I enjoy 'Wasted Wed’s' with my poetic
brother, Kyle Devalk As we intellectually posit while pounding beers, beat
literature and bliss Always a pleasure to hang out with my neighbor, new
mummy, Jen VanNess.
Thanks to Stephanie Green Smith whose memoir just plain kicksphucking-ass When I hang out with Mike Galletti of Dirty Gentleman we always drown a cold crate of Pabst My girl Krista Buchannan saw me read while sipping iced chai tea Thank you Becky Lynn and J. Whitmore, whose witticisms are nothing short of incendiary.
And while she corrected my botched analogy concerningthe vicissitudes of the feminine “clit,” I’m eternally gratefully to Natashia Deónand her kick-ass series
Dirty Laundry Lit Which gave me Hollywood, traipsing down the heralded Walk of Fame Man, I’ll never forget touching the ivory finger
tips of Miss Sarah St. James.
Thank you dearest Molly Fleming who to me will always be Mrs. Paroo and to Kristin Frazee who sent me a picture of her sexy new Tattoo Invariably my drinking sabbatical availed me time to financially catch up on bills and to reminisce about performing on BLACKSTARSEA hostedby the impeccable Josh Wills.
Gratitude to Ash in London who delineates the color of my dreams It’s hard to meet someone more talented than the graceful Holly Greene Who sang at Champs West while I drank Oxygen backed with a double shot o’ Hydrogen How cool it was after all these years to hear from my dear Aunt Marilyn. For local artists who inspire me
like cool Stormy Monday and Diva Suzette And the Beautiful creatures whom
through this project I feel blessed to have met ”Skeet-loving” Tiffany Gray
and a beautiful scribe named Athena And WOW what a summer did I ever
have with a reader named Valena Promenading across county lines, sunset
smoking, drinking gas station cappuccino How honored I am to be invited to
the aesthetic union of Carissa and Roxy Reno. I’m Thankful for Cumbo Cannella, book thief,
proprietor of the voluptuous double G-cup And the hearth-sized heart of Harshi
and Erich Gilbert who gave my prose two thumbs up Diane Hollister and Michelle Veal, culled Cullum-Davis Library lore And where would I be w/out my
Sunshine (smile!) behind the counter at the corner liquor store. Thanx to Patrick ‘The Great’ McReynolds who
got embarrassed when I espoused his romantic foibles and fates, And cool playwright Karen Howes
who I tried to seduce my quoting William B. Yeats’ Song of Wandering Aengus, Golden
apples of the Sun, The Silver apples of the moon Thank you so much to the Tartan Inn as we partied all last June. To my brother DAZ whose
GOBZINE captures vignettes of hamsters and fairies After the death of his father
you’re still my hero Cousin Larry And even though reading my prose
gave them optical blisters I’m so grateful to have two of the
most fragrantly talented sisters. And to
those I forgot to mention due to lapsed mental ambiguity Remember
when the cops find you drunk in the cemetery to use the word, 'Perspicuity'. Never forget Rumi’s mantra ‘ Let Beauty
you love be what you do.” (It's been 21 years since Young
Columbus England and I’m still blessed to know Mark-Andrew) With gilded Daedalus wings may
your every dream flutter and soar As Gavra Lynn cries out, “Darkness doesn’t scare me anymore!!!!” From that poor man’s poet who
candidly chiseled out his vices for the planet to pan and perceive (Everyone) “Where would we all be
without our good friend Barbara
Antoniazzi?” Dear Reader, thank you for accompanying me on this
forty day moratorium even though I foundered on day 38 and moved
into a craft beer emporium. Think of that old writer while sipping your next alcoholic brew
And realize what’s inside is not as magical as
you.
From closet tubesock sperm, as Ovum is to semen Never be afraid to go inside and conquer your own Demons Be intrepid and audacious, the Dharma to Kerouac's itinerant bum
Know that someday you will be the person you yearn to become.
Thanks for reading. May this autumn bring you leaves of sunset tiles.
Sobriety never sux in the forever succulence of your smile.
Status: My first kiss duly transpired Friday Oct. 11th, 1991. It
was junior high night at the Christian center and I was in seventh grade. Her
name was Jessica and she had loopy earrings and fritzy auburn hair that somehow
resembled a side order of curly fries. The maroon and gold fluffy
mid-nineties integers sewn below the lapel of her high school jacket indicated
that she was a sophomore at East Peoria while I was a seventh grader attending
a Lutheran grade school across the river, though I lied,
prevaricating that I was only in town a short while visiting my cousin and
attended a fictitious high-school on the north shore of Chicago with the word
Glen in the title. It was mid-October. Shards of stain glass leaves raked and scurried against
gravel parking lots cascading in dervish swivels and leafy seizures. Somehow I
remember wooing her by quoting Markey-Mark and the Funky Bunch lyrics (rote)
and somehow I remember sitting down next to her by the creek in the woods and
somehow the next thing I remember was that our respective heads were cantilevered, awkwardly tilted, gravitating with pursed ring-pop lips in the direction slightly above the other's respective chin. She wasn’t exactly
fat, more like ample. The sort of girl Ben Franklin might fantasize over
espying the sight of her cottage cheese loins delicately alighted in a
Victorian girdle. I remember the hottest cheerleaders in high school always
sort of looked like stuck up Grateful Dead Teddy Bears with bad perms and side
pony tails. During the inaugural act of teenage osculation her eyes were
stamped shut like suburban blinders, emulating every kiss culled from every slow-motion bubblegum mid-eighties
teenage pop oriented drama ever seen. My eyes remained welded open, the size of
twin trash can lids waiting to be inopportunely clanged together
like cymbals in a junior high play. Everything was dry and then everything was
just full-frontal sloshing and wet. I remember trying to suck on something that
was squirming and moist that kept undulating and kicking like a fetus inside
the bridge of my lips. I remember that I could taste the flavor of the stars
and hints of a distant bonfire in the crimped sway of her hair. I remember cupping my arm behind her lumbar as if trying to climb her and the next thing I realized I was lying on top of her in the fashion of
Pete Rose Johnny Hustle sliding head first into second base. I remember one second we were kissing and then somehow our torsos are welded together in a pulsating denim pentagon. I remember it was autumn and I am all of thirteen years of age. I remember simply not wanting to stop.
***
Physiology: You see them all around only you would
never know. Idling at bus stops. Skirting through the dim-lit linoleum at
Walgreens. Sometimes you talk. Sometimes there is a silent yet gravid nod of earnestness. If you have been in the program for a while a conversation will indubitably ensue. There is usually a facial skitter cosigning acknowledgement. Sometimes a smile. Sometimes a squeeze of the arm or a hug. Some are
court ordered. Some arrive dreary eyed and blitzed. Some go outside after the serenity prayer to vomit.
Some are shaking from D.T.’s. Some have
been through physical and emotional shit I wouldn't wish to inveigh on any viable creature
bearing a pulse. A surprising number are professionals who make five times my
annual income and arrive in posh vehicles and smile and greet you in the fashion in which overtly smiley and annoying people you don't know greet you in the annex of an out of state church you are visiting.
They come and they congregate in almost Sunday School
fashion forming isosceles triangles with their shoulder blades, smoking, ashing
filtered stems in an old Maxwell House coffee can, loafing on the wooden deck outside. I remember when I attended my first initial meetings I tried to look strung-out, tried to emulate the black-and-white jaded-dole eyed rectangle author photo of my mentor David Foster Wallace. Tried to look intellectually pensive, pawning off the appearance of a jaded academician.I remember there being uproarious puffs of laughter in the room and feeling like I was seated at the adult table during Thanksgiving dinner. I remember people of disparate ethnicity and age seated together at the same table like a sociological mosaic smiling and chuckling and drinking coffee and commiserating about the inevitable pathos of day to day living. There is an emotional
crutch. There is psychological I.V. A spiritual hammock. A drip of hope in a weary world that continues to churn its cosmic neck with galactic insouciance into whatever future there may be one day at a time.
***
Status: The lady with the long red hair is older and she is a survivor. When we first met she tells me about a friend she had gone through treatment with who is my age and who just died from a heroin overdose. The next day I find his name in the paper and wedge the obituary under the office door where she works. She thanks her capital-g notion of a higher power deity for her sobriety. She thanks God for enabling her to take things one day at a time and for granting her the courage to accept the things she cannot change. She smokes likes Chimney at Chernobyl five minutes before the incendiary frisson of nuclear light. She commutes an hour to work in a car that is non-smoking swearing and chanting the serenity prayer like a Buddhist mantra. She has poignantly made amends with things she has lost and has accepted the things she cannot change. She has succumbed to a peace in her life that is palpable when you are around her. She has a sponsor she swears on. She is there for others in times of need.
She looks at each calendar square as an easel brimming with unlimited potential, a blessing sprouting with digits.
When I tell her that I am starting a project to investigate the philosophical pandering’s concerning why I feel the unerring need to drink all the fucking time she cusps my hand and gives it a little squeeze. She tells me that I can do this. She calls me by my first name. She tells me I can do this, David.
She is gregarious. She is older. She elucidates the jargon. She tells me what is meant by a ‘Belly-Button,’ anniversary. She tells me about when she got clean how she had a funeral for the child she miscarried while she was smoking crack. She is into Yoga. I tell her all about my crazy drunken forays. I tell her how every time I imbibe I feel like I slough all the pain and itinerant hurt and that I don't feel like a fucking failure. I tell her how every time I imbibe I feel immortal.
She smiles. She looks at me like I am entertaining. She doesn't judge or harbor biases because I am drinking and she has made a commitment to stay sober.
"You can do this." She says to me again. "You can do this, David."
***
Physiology: I attended my first Alcoholics Anonymous meeting
early 2009, crunching over clotted banks of chalky January snow trudging against the inky night of a starless winter to a nondescript
building sharing its entrance with the Basket Case. I recognized it was an AA
meeting from the Triangle trapped in the bubble emblem winking out from the window a la Free Masonry like fashion. When I used to drink at the Basketcase back in the
day I remember seeing working class members that attended the meetings outside
smoking cigarettes. A month earlier I
had lost my job at Bradley University due to a series of defamations (as has
every writer in academia of note) and, after feeling worthless and seriously
contemplating suicide (brushing it off because you can’t get piss-ass drunk
when you are piss-ant dead, much less write) I decided to attend AA on my own volition.
I decided to
discern why I felt the unerring need to drink all the time.
I didn't want to go.
I drank 16 beers to accumulate the courage to leave my apartment. I drank a beer en route, finishing the beverage at the corner of Main and Sheridan, punting the can across the street, trying to hit the pastel rodent on what was then the Church Mouse. I am an affable lush. I have never gotten a DUI or been arrested or court ordered to wear a totalitarian manacle to measure my blood alcohol content. I almost always have a beer cracked open when write and I write my ass off every day. Somehow over the past decade I slipped in the habit of hitting happy hour after picking up my paycheck on Friday and partying for three days straight in a slot machine blur of bar stools and beer bottles and cigarette smoke.
Almost always I end the night staring into the passenger-side window of my computer screen looking at the poverbial love-of-my-life, the one-who-got away there-son, cupping the mouse, sliding the cursory arrowhead over her hair in front of me, wondering what happened with us.
I continue to traipse, forming pterodactyl tracks in the snow. I am smoking like a motherfucker. I can hear the sallow chimes indicative of bad Karaoke in the Basketcase. The lights stretching outside the building is the color of a lost yawn.
The last thing I want to do is to go inside and get warm.
***
Status: I ask the classy lady with the red hair if she misses going out. If she misses partying. If she misses getting her freak on. I tell her I am at day five of my forty day sojourn. I tell her this is the longest I have gone without an alcoholic beverage in almost eight years.
She looks at me and smiles. She asks me why I insisted on forty days.
"Historically forty is a gestation period. It is always a period where people are lost and fumbling around and looking for something only they don't know what it is. When was is lost and searchin change is imminent and so is growth."
I ask her what she does for fun in addition to smoking and copious amounts of masturbation.
The lady with the red hair laughs. She squeezes my hand again.
"You can do this, David. I believe in you. You can do this."
She continues to call me by the twin-syllables of my first name.
***
Physiology: Much of AA meetings are fashioned in the format of Church. There are Old testament and epistle readings guised in plastic sheaths entitled HOW IT WORKS (which includes the 12 steps) followed by a reading of what is known in AA as the twelve traditions. There is then a daily meditative reading culled from the Big Book read in the fashion of listening to the gospel reading in church only nobody rises, they just look down and inwardly nod. Coffee always seems to be percolating in the backroom. There is sometimes cake or a home-made batch of cookies. Via recitation of the HOW IT WORKS/12 step epistle reading orated at the outset of every meeting, everyone in the room more or less admits that they are completely 100 percent helpless over their 'cunning, baffling' alcohol predilection and that their lives have become completely unmanageable. During this confession it is also acknowledged that the only force that can assist the plural 'us' vault over our addiction with alcohol is the psychological awakening of a non-denominational 'God' or personal 'Higher Power.'
The person chairing the meeting often notes a list of local AA events such as socials or barbecues or incumbent Guest Speakers before notably inquiring if anyone in attendance has an alcohol-free anniversary to celebrate. If someone does they are awarded a coin/slash/token that looks like something you would slit into a ski-ball machine at Showbiz. If there is an anniversary there is always applause followed by smiles and shoulder patterings of encouragement.
A kettle is then passed around. Each AA group is self-sufficient but a free-will offering is employed to ensure the maintenance and continuity of each chapter. No one in AA gets paid. The money is used to keep the electricity going and coffee brewing. Most members of AA have no problem placing a five in the kettle and then fishing out three ones to make change, something you would never see during a traditional Church offertory.
The apex of nearly all AA meetings consists of a twenty-to-thirty minute narrative jam session. A period of verbal sharing where the person states his/her name and publically confesses that he/she is an alcoholic accompanied by mass acknowledgements in the form of various intoning salutary 'Hi's' imminently followed by the persons previous said name. The only unwritten rules are that no one argues and that no one interrupts. Almost always you will hear someone explicate just how blessed they feel to be here in this room alive and sober today. Members with serious sober hangtime often talk about juggling mortgages or tattered relationships or health problems. Many will talk about the day-to-day struggle to remain sober especially when engaged in a rift with a co-worker or spouse. Occasionally someone who shot up copious amounts of heroin back in the day will sound like they are placing their narcotic of choice on a soapbox pedestal of seniority, heralding that their drug-induced trauma kicked the wheezily alcoholic content of your boxed wine cooler ass. More often than not, even if the addiction is going back up for second helpings of the Blood of Lamb during Mass, everyone in the room listens, everyone in the room commiserates with a nod, everyone says your name in jilted unison and smiles and nonjudgmentally accepts you, there but for the grace of God.
Many of the anecdotes shared are brimming with well-known AA bromides, easily pawned off as pathetic platitudes or campy cliches at first. The widely anthologized One day at a Time. The easy does its. The back sliding begins when knee-bending stops. The letting go of old ideas and change being a process not an event and how denial is not a river in Egypt. 64% of all narratives make a notion of thanking the members individual notion of a God or Higher Power for getting them here tonight. Many members (often it seems to me burly tattoo-riddled Bikers) will make a point how grateful there for this sort of fellowship and support system since they sure as shitfire weren't get any support from the church they grew up in.
The story-telling often escalates into some sort of emotional anagnorisis, pivoting on a spiritual catharsis with the hopes that, through divulging one's own struggle, fellow strangers in the room will find solace and peace and perhaps even hope. AA meetings end with everyone in the room standing up holding hands, forming a human-puzzle piece, tucking their chins into the direction of the floor tiles chanting the Serenity prayer in stuttered unison, imploring the God of their understanding simply to grant them the serenity to accept the things they cannot change, the courage to change the things they can and the wisdom to know the difference followed by the Lord prayer. Sometimes prior to the prayer the member chairing the meeting will rhetorically ask the question, 'Whose Father?' To which the members wreathesdin a stalk of clasped hands will reply, "Our Father," before breaking out in the remainder of the prayer followed in tandem by the community fist clutching cheer, "Keep Coming Back. It works if you work it but you've got to work it every day!"
***
Status: Minutes after posting a Facebook group page for
Succulent Sobriety I receive an I.M. flare from a neighbor whom I’ll call Ben.
An acquaintance for over a decade, he married a friend of mine and now lives down
the street. From time to time I see Ben and his wife performing Karaoke around
town.
He seems intensely curious why I have decided to stop
drinking for forty days and why I feel the need to chronicle the tale. When I tell him that after my forty days are up we'll have to all get together for couple of beers he tells me . He informs me that he would love to meet me out only he doesn't drink.
"Why are you always in the bars if you don't drink?" I inquire.
“You kidding, man, sober people can party.”
He tells me that he has been sober and always drinks
coke whenever he goes out. I tell him I always thought his coke had a few
splashes of rum in it but I guess I never had the acumen to inquire. Ben then asks me if I think he’s the only one
in the bars not drinking.
“Recovering people love to party man.”
I ask him if he feels hypocritical chairing meetings yet frequenting local bars. “When you attend AA you learn to have confidence in yourself and do things you love
and not feel the need to drink.” He tells me that he’s known rock stars and
comedians whose career revolves around performing in bars and that they are not going to refrain from
going to work because the bar serves beer.
He then asks me what I love to do. He asks me if I need alcohol to do what I really love to do with the limited time I am allocated with life here on this planet.
He calls me brother.
***
Physiology: My first hardcore junior high make-out session with the semi-portly curly-fry haired girl in the woods lasted all of five minutes. The moment I straddled my limbs around the inflatable life raft of her splayed body wildly frisking her back in search of anything remotely resembling a horizontal elastic strap my adolescent foray into adulthood was notably truncated by my friends Tim Flanagan and Patrick 'The Great' McReynolds who were conveniently spying on us. While Tim began warning us about the evils of lust and the incendiary snickers of Hell that will invariably accompany our untoward behavior, Patrick had a cheesy future Brother-in-Law-coordinating-the- Bachelor-party smirk glued on his lips and felt the compelling need to shake my hand offering his unadulterated congratulations in front of poor Jessica, who would adopt the moniker Second Base in the junior high cafeteria for the remainder of the semester.
Later that night I got Jessica's number but was too coy to call. She would have found it odd since I lied and told her I was from the hoity-toity Chicago suburbs anyway.
I saw her only once again after that.
It was the winter night I tramped out loaded into the unforgiving cold to seek help because I couldn't understand why I was drinking so much.
It was that night I saw Jessica, the first creature I had kissed when I was in 7th grade.
She was seated in front of the room, chairing my first AA meeting.
I didn't recognize her right away. Her hair was still long but it had straightened. . She seemed less vivacious then she was in the fall of 1991. Briefly I considered being an asshole saying something like, "Hello my name is David and I'm an alcoholic, and boy did WE ever get it on to Markey-Mark and the Funky Bunch twenty years ago."
Only I didn't. I sipped watered-down coffee and listened as Jessica talked about having a Meth addiction and how she even stole needles from her grandmother who was diabetic to shoot up. She talked
about how shooting up meth made her lazy and not want to do anything but lounge
around all day and watch Lifetime and text shady people in search of accumulating more
amphetamines. She talked about doing anything with her body in order to be able
procure funds to supply more dope.She talked
about how it was only after her son was taken away by DCFSthat she began to take what is referred in AA
jargon as a moral inventory of one’s life. She talked about how, after a year of
sobriety, she was able to reinstate custody of her son and how maintaining both her son and her sobriety
are the most important things in her life.
At the end of the meeting I held hands with strangers and bowed my head,
supplicating to a power greater than myself for help, asking whose father it
was, stating it was ours.
I then left the meeting. The lady who I made out with another lifetime ago never knew who I was or that we had practically made sloppy teenage love in the woods all those years ago.
I left the meeting without telling her the identity of my name.
I remained anonymous the entire time.
***
Most of us don't know much about the fleeting breath of time we find ourselves evaporating against across the foggy windshield of this planet. Millions of years constituting the evolutionary backwash and genetic residue christening our perception of reality. Our addictions. Our emotional fetishes. Our desires and our loves.
Say what you want to about AA. That it's a cult. That it is for pussies. That it is only for junkies or people who are lightweights or lower income derelicts. That the bulk of the members who attend are court ordered and don't have a high school diploma and have a hard time reading aloud from the 12 steps pamphlet because they read at a second grade level. Say that AA is no different than attending a local church ofrcongregational setting choice (only everyone contributes to the sermon and curses and smokes outside afterwards and no one judges anyones behavior).
Say what you want about the organization known as Alcoholics Anonymous but know this:
There is a distilled beauty in congregating in a room with random strangers and watching someone publically admit that
they just can’t do it on their own anymore.There is a beauty in witnessing human beings yield to an
inscrutable power transcending the vicissitudes and intellectual contours of their own
understanding. There is a beauty
on witnessing human beings refusing to be sociological victims of their circumstances. There is a beauty in watching human beings jettison and refute the pain of yesterday; refusing to be neurological inmates in prison of the past. There is a beauty in realizing that they have made
a psychological commitment to humbly experience this terse film-strip of reality in the fashion in which they were born, crying out sans substance yet crying out nonetheless,
moment by moment, meeting after meeting, year after year, lifetime after lifetime, one day at a time.
***
People who have seen me perform sometimes note tears skiing down the slope of my cheekbones in medias performance, almost always when I'm reciting a piece by a writer I love, words, narrative appetizers and esculent vowels gnawing into the alphabetical prairie of the page.
Sometimes it is George Saunders. Sometimes it is Lorrie Moore. It's difficult for me to recite certain passages by Shakespeare or Whitman or Yeats sans breaking down in a gulching avalanche of triangles and tears.
The last story in almost any edition of the Big
Book features a personal narrative of a writer who chronicles his botched odyssey
with alcoholism. From being a literary wunderkind, to a vodka-blitzed wizened
wordsmith to a cirrhosis-riddled middle-aged
copy-right editor to an enervated esophageal hemorrhaging soused
statistic of expired promised and anesthetized ambition to after years, finally drying out, discerning the narrative pulse of his own ethos through attending meetings, through sitting in a cluttered circle with random strangers in a dim-lit room while drinking weak coffee, through sharing stories finding strength in his sobriety and finding it oh-so succulent indeed.
Like my literary fetishes, it's a story that forms dampens prisms of moisture around my eye sockets while releasing rivulets of joy in my chest:
"We are taught to differentiate between our wants (which are never satisfied) and our needs (which are always provided for). We cast off the burdens of the past and the anxieties of the future, as we begin to live in the present one day at a time. We are granted "the serenity to accept things we cannot change"-- and thus lose are quickness to anger and our sensitivity to criticism."
I love that. Our wants are never satisfied, though our needs are always provided for. No matter how desultory destitute or flat out fucking impecunious my life has been at times I have been blessed beyond the scope of human measure to always find sanctuary (even if it was living in the back of my station wagon in the old Jumers parking lot) or (menial) employment or even the occasional cold beer.Even though my wants were never satisfied. The creature I consider my soulmate who lives in Europe and who gave me the mystical highlight of my life when we groped each other's hand on a holy relic and then held each other for hours, for days, for eternity, not kissing, just holding each other and feeling loved ; or the doily-skinned twenty-one year old who gave me the best sex ever on Bloomsday a year ago and how we kissed in the rain and made love for what seemed like collected art movements and I dreamed about proposing to her in an abandon house and how the fire alarm across the street always went off when we made love and how I never felt physically closer to another human being before she dissipated in a spring wisp, or good ol' Chop-Butt down the street.
How I hurt so much after these three beautiful creatures who I would gladly sacrifice 95 percent of my entire literary corpus just to be around them when they are feeling grouchy and bloated on their period and who, each on their own romantic volition, passed me over in favor of short-haired vacuous fucks (fucking Aires!!! and the street I live on is Ayres!!!) leaving my chest a Yahtzee cup fraught with lost legos and sandbox splinters and how for years I felt wounded and worthless supplanting my hurt by pouring as much alcoholic ambrosia in my body as was humanly possible to assuage the pain and psychologically augment my esteem and foster my self-worth all the while feeling loved and less alone and less of a sensate failure on the arable scalp of the planet.
The last paragraph in the Blue Book is a tautological coda, a doxology of the heart, a paragraph availing the promontory of individualization and self-worth. It is one of the most beautiful testaments of leading a life untethered from inevitable pangs of the past, hatching into the unlimited pasture of infinite
potential, the vivid fragrance of one’s identity, the beauty and unparalleled uniqueness
of one’s own destiny--- the color of your own name.
“Above all we reject fantasizing and accept reality. The more I drank the more I fantasized everything. I imagined getting even with my hurts and rejections. In my mind’s eye I played and replayed scenes in which I was plucked magically from the bar ( addendum: or writing desk in the woods, wink) where I stood nursing a drink and was instantly exalted to some position of power and prestige. I lived in a dream world (wink, again). A.A. led me gently to embrace reality with open arms. And I found it beautiful!!! For at last I was at peace with myself. And with others. And with God.”
Inside the Get-a-Way on Western avenue there are always
tits and there is always cocaine and there is cool Dan the owner who
works as a mechanic and who never grew up and there is always a carousel of blue
smoke dangling like a crown of laurel leaves above the far end of the bar and there is a bald-headed Bookie who swears
he has your back and there is Shawn (short for Shawna) the bartender who kinda
looks like a more emaciated seemingly strung out version Naomi Campbell.
The Get-a-Way is exactly two blocks east from where I live and the first time I slipped inside Shawn was stationed behind the bar and when I ordered a beer she lifted her top as if playing a rendition of Simon says. Before she placed the sudsy libation in front of me she hiked up the frayed hem of her denim skirt like a flower in spring by the railroad tracks.These are the bars that scream West Peoria, the lone shrill of a date whistle flared in an abandon high school parking lot after the last ember of the Homecoming bonfire has been doused-- the seedy writer bars that are old school blue-collar Cannery Row type o' taverns
you can still smoke in that look like something Eugene O’Neil might stumble out
of after three days of consecutive imbibing, a draft of Ice Man Cometh
tucked beneath the pit of his arm.
Tonight everyone sans penis is flashing inside
the bar.
The girl seated next to me has short curly hair. Her tank-top intermittently keeps
flapping up like a bedroom shade that won't stick. She is wobbling. There is something about the way she
is holding her beer that looks like a car clutch randomly snapped in the grip
of her knuckles while shifting into second gear. I have my arm around her in
flirtatious manner. My best friend poet Kyle De Valk is in the bar next to me.
The girl could be Courtney Love. She is irascible. She is cussing everyone out.
Tangential to the bar, near the jukebox are two girls in their mid-forties with loopy earrings and sprtizy hair resembling late-eighties lunchroom leftovers from a John Hughes film. According to the girl whose top is up they are 'fucking bitches.' For a moment it seems like a catfight is imminent until Shawn places four diminutive glass cups in our shadows commanding us to drink up gratis.
Someone is buying a friendship shot. Let's all drink up, flash our tits and be friends again.
Last week Kyle and I came to drink here after stopping at Duffy's in the middle of the day
and the manager let us tape fliers for our upcoming poetry event around the
bar. Our names are festooned on a mirror behind us indicating
a Poetry reading we held downtown at the Art Show. The first thing Kyle does when he sits at a bar is to open his notebooksand ask whoever is seated next to him if he may read them one of his poems.
The irate girl’s boyfriend is bald and has a tattoo of what looks like is either a crop-circle mandala or a Nazi-affiliated honeycomb etched into the albino copse of his skull. He stands at the bar next to Kyle and for some reason keeps whipping out his
buck knife and placing it on the center of the bar like a coaster. There is something almost phallic in the way he
slices the blade of his knife out from its sheath and scrutinizes it,
commenting to Kyle about the time he scaled the hide from an elk his RV plowed
into when he was drunk. I have my arm lassoed around whom I will learn is his girlfriend and am prodding my fingers down the interior of her jeans. She still
has her top up, tucked under her chin like a renaissance napkin at brunch. She
is cursing.Everyone is a fucking bitch. Everyone is a
cunt. Everyone is a whore. She is
telling the patrons catty-corner from us at the bar that this show over here ain't
free. I buy her a beer and she plants a kiss on the side of my face. She
still doesn't mind that my hands are all over her. Her boyfriend is pointing
the Buck Knife near Kyle’s navel. He tells Kyle that he is a deer hunter and won
an award for shooting an eight-point Buck when he was sixteen. He asks
Kyle what his favorite Toby Keith song is. He begins to get truculent since my friend isn't really into country
music and/or slaying docile fauna. He makes a comment that most people don’t realize how far the human intestines could stretch if the stomach is sliced open and what is classified as the guts are strewn. That most people don't realize how much shit is inside of us. He says that if he cuts open my friend’s anatomy
with his Buck Knife he could tie his small intestines to his large intestines
and stretch the elongated digestive tract almost an entire block.
I try not to think about the innards of my best
friend’s anatomy double-knotted to a street post and stretched down the same
block where I used to have my paper route twenty years ago. Feeling the
compelling urge to intervene I remove my beer-less finger from Turret-syndrome trollop's
waistline and point to the skinhead’s knife.
The nerd in me erupts:
“I see you have a Buck Knife, there.” I tell him,
tilting my head like I am inquiring about miles to a gallon in a used car parking-lot. I turn on the wedgie-beckoning pedantic button.
I ask him if he realized that the terms ‘Pass the Buck,’ and ‘Buck stops here,’
had their idiomatic roots in the Buck Knife since that particular dagger was
initially employed as a sort of a poker button in the saloons of yesterday used to indicate whose turn it was to deal. He turns the knife on me, slow-motion, spin the bottle style. He presses the blade into my chin. He informs me that he could peel the flesh away from my visage so fast that all I would see is epidermis and cheekbone muscle heaped on the bar floor like freshly clipped hair shearings in a single blink.
Last week Kyle and I went to the Get-A-Way to get seismically hammered in the middle of the
day and the manager allowed us to tape fliers for our upcoming poetry event around the
bar. We drank heavily and trashy girls got naked and no one fought. Everyone seemed quite content to get quaffed off the fizzy drought of enlightenment, weak witticisms blathering Budweiser banter, slapping down tips and bar coasters, ordering another round for everyone. Today is the complete opposite. The knife seems to jut into my chin in a subtle nick. I have my free arm splayed out futilely endeavoring to get the wanna-be thug to calm down by gesticulating in a fashion that looks like I am trying to train a sophisticated Schnauzer to heel. I think about the Walt Whitman quote from Song of Joys about struggling against great odds and meeting enemies undaunted and being left entirely all alone with them just to find out how much one can endure. You can tell by the jaded-nickle coloring in his eyes that the tattoo wanna-be-thug wielding the knife in my countenance is the kind of alcoholic who, after three beers you can physicality observe him morph into a disparate identity altogether. The moment it seems that my face is going to be carved up like a rococo jack-o-lantern something white and translucent bullets past me, shattering into glass triangles and glass tears near the jukebox.The trashy girl next to me is telling whoever she just hurled the shot glass at to bring it on, bitch. The steady bustle of jousting elbows and scrabbling limbs compliments the sound of vacating bar stools marshaled and screeched to the side. The Bookie has his hands spread out in wings and is telling everyone to break up. Buck Knife throws a shadow punch that somehow swipes three bottles of beer off the lip of the bar. Trashy Blonde has split through the melee and has already landed at least one blow, her fighting stance looking like a thoroughly imbibed Karate Kid battering limp wax-on wax-off fluttering motions with her wrists. Shawn is mandating that everyone take it outside. Near the door two older black men swipe their heads stating that they sure hope the Po-Po don't show. I look for Kyle. The bulk of the bar has stampeded
toward the back exit and are streaming into the autumnal night air. I find my
friend in the corner. He addresses me as
mate and inquires if I am okay. I nod. We each finish our beer in one singular
swig. Shawn is near the door smoking a cigarette yelling that if the
altercation isn’t taken elsewhere the cops will be here ASAP. One of the stragglers left in the bar is pogoing from bottle to bottle, quickly chugging whatever alcoholic remnants remain swilled in the bottom before Shawn comes back in.
As Kyle and I leave I slip Shawn a five and thank
her for her hospitality. We are in search of more beer. The trashy Blonde
headed girl apparently chased her culprit down the street.The sound of a police siren sneezes in the
background. The patrons are smoking cigarettes conferring what story to tell
the cops. In front of us the girls with the bad crimped 80’s hair stumble out
as if they are playing charades impersonating the meted list of a metronome.
One of them pricks near the center of her torso, unbuttons, slices her jeans
down to her ankles and squats, laughing the entire time, stating that she is so
drunk she can’t believe she is peeing in front of everyone. The bald headed
Phuck takes out his cell phone and holds it in front of forehead and clicks, stating that he can’t
believe this shit.
I turn to Kyle and make a comment that the girl who is peeing looks like a trapped mermaid as we walk into the night, past the moat of fresh urine, in search of more beer.
***
I sit on the chipped yellow hyphens passing for
parking blocks outside the liquor store on Western avenue seven blocks north of
the Get-A-Way. The store is supposed to open at 8am on Sunday morning but most Sunday’s
Jim the manager is half an hour late. I like Jim. He is from Pakistan and calls
me Chief and we talk about international soccer. Once I purchased a lottery
ticket from him and then immediately handed it back to him as a gift, telling
him that if he wins he is to quit his job and move to Brazil and just
follow South America Soccer clubs for the rest of his life. The Sunday papers
arrived in trussed bassinets resembling Hindu Vedas.Cruise past the liquor store around 7:45 am on any plucked Sunday and
you will find alcoholics waiting in the parking lot to buy booze and get their
morning fix. For a while I used to pick up my Sunday New York Times and a twelve
pack and then they quit carrying the New York Times because I was the only one
who purchased it.
The man sitting next to me this morning has tattoos
on his neck which at first glance resemble varicose veins but is actually some
kind of skull with a motorcycle skiing through the left socket. He is in what
looks like his early sixties.I ask him what he does. He tells me that he
combs the streets and arteries of West Peoria all day looking for cans.
“It’s not a bad living if you know what you are
doing. I mean, you can really make some money at it if you know what you are doing.”
I ask him what kind of beer he drinks. He tells me he
buys a fifth of Gin every morning and nurses it all day.
“I’ll buy a fifth of Gordon’s. I used to drink
Seagram's but Seagram's ain't worth shit anymore.”
I ask him if he mixes the Gin with tonic. He swipes his head as if he is under oath, reaches in his back pack and pulls out a two liter plastic bottle of Mello-Yellow.
"You get one of these at the dollar store up on Western for 99 cents. Can't beat that now. I'll drink about a third of it then pour the gin in and swirl it around like a thermos. Keeps me going all day."
I ask him how long he has been drinking every day. He tells me he has been drunk more or less all the time since his wife died five
years ago from cancer.
“That and I was sober when I was locked up. I was
locked up for four years, now.”
I ask him what he did. The old man tells me that he
used to run guns.
“We’d run guns to Indiana and from Chicago to Omaha.
There’s real good money in that now. Real good money. But you've got to know what you are doing.”
He stands up and asks me if I have cigarette. I tell him I only smoke cigars. He gets up and
walks to the ashtray next to the trussed stack of Sunday Journal Stars. As
if combing for head lice he gently reaches his fingertips into the ashtray plucking out three half-smoked cigarettes, one appearing to be hand-rolled. He places two of the half-smoked cigarettes in a red-man tobacco pouch and then places the pouch in his front pocket.
He takes hand rolled smoke and lights it after three consecutive snaps with his BIC.
We continue to wait. He tells me that he's told old for this shit and that Jim the manager should be here on time.
"I was always on time. Even when I was running guns. I was always on time. You just show up for your job."
I ask him what sort of guns he used to run.
“M-16’s Ak-47’s. Anything you need we could just
about get them for you.”
He takes another puff off the gnarled cylinder. He
tells me that he had an old U-Haul painted with the name of a fictitious moving
company on the side.He tells me that
the back of the truck was fraught with mattresses and that burrowed inside
mattresses were the cached artillery.
“We did it for several years now and never got caught.
We even got pulled over a couple of times cause we didn't have a sticker on
that there license plate and the cops didn't notice. I’d still be doing it
today but there was a goddam nark in the system."
He nods his head and says yep. He iterates again
that there’s always a goddam nark in the fucking system.
Always just a goddam nark.
***
For the past ten years every time I get a new computer or a new laptop I always break in the plastic hymen of home row by typing Wittgenstein into the altar of the Keyboard. “The single thing proves over and over again to be unimportant, but the possibility of every single thing shows us something about the nature of the world.” Sometimes when the writing is going slow I will stare at the screen of the computer like I am squinting out from a window seat in an airplane and pelt out the sentence by Wittgenstein again and again and again, filling up the computer screen like carbonated sea monkey bubbles, reminding myself that the single thing is always trivial, always petty, that there is something inscrutable dictating our orientation, our corporeal longing, our all.
***
My girlfriend Mariana is sexy and has dark hair and
skin that looks like if it could be any more olive-flavored in nature it would
by impaled on a Martini toothpick. She teaches English composition at Heartland community
college in Normal, Illinois. She is hot and classy and boasts that she has
received over 75 diminutive red chili peppers indicative of hotness on Rate My
Professor dot com.
“I’m known as the Grammar Bitch, but you love me
because of that.” She once told me.
When Mariana was seventeen she dropped out of high
school and moved to California and partied on Sunset Strip. One night at
Gazzarri’s she spent a whole hour sucking on Bret Michael’s bare chest.
“I made a giant Hickie-shaped Heart. His chest was
so yummy. Like slurping a watermelon ring pop off a Ralphael cherub’s ass."
She pauses when she tells me that he’s much more
androgynous than people think before pausing again and stating that she supposes
everyone was much more androgynous back then.
Mariana despises 85 % of everything I write. She uses the words ‘magniloquent’ and
‘prolix’ to describe my prose. I praise 85% of everything she writes even
though it’s always in the first person feminine and double-spaced and hand-written.
When Mariana was in Hollywood she worked as a
stripper and shot up smack. She stripped in limousines while shooting up heroin
with record executives who earned seven-figure incomes. She’s been clean for over twenty years and chairs recovery meetings behind a plumbing supply store on the far side of town. She got an MFA and teaches English at
the junior college near the University where I used to stand outside the late
David Foster Wallace’s office with manuscript tucked under my arms waiting to
espy a glimpse of my mentor.
When I started dating Mariana I started attending
AA. I bought her a Bar Mitzvah card thanking her for all her help, “Anyone can
give a Thank you card. Not everyone gets a Bar Mitzvah card, You make Sobriety
sexy!!” At night we lie in bed and light candles and listen to Counting Crows
and I do sketch impersonations of fictitious patrons in AA. There is the mime
who went to the 12 step meeting who mimes having one beer, then mimes having
two beers, then mimes having a third then mimes staggering soused to his
vehicle, then mimes starting then ignition before he mimes getting into a car
wreck. There is the middle-aged man who, when it is his turn to speak and
everyone has said hello followed by first names in muffled unison, tries to solicit the
recovering alcoholics in the room into joining a pyramid scheme, “You’ve heard
all about of Sobriety, now I’m here to talk about FINANCIAL Sobriety.”
We laugh and clutch each other and I make out with
the bottom of her neck, what the New York Times Style section always refers to as décolletage.
Last week we got into an argument over addictions and semantics and David Foster Wallace.I had a friend who was a cafeteria manager at ISU.
He was maybe 12 years older than DFW. They got into an arguments and my buddy
walked out of class because Foster Wallace kept picking on him.
The Grammar Bitch says yes, so.
"Thing is, this guys name was Rick and he told me
that his brother-in-law used to chair AA meetings and Foster Wallace was always
showing up with a notepad and always claimed just to be randomly scribbling and then recovering addicts would discover losses sketches of themselves published in high-brow literary glossies. I told Rick he was full of shit and refused to believe him. Then a couple of weeks ago I read DT Max's biography on Wallace where he talks about how the author immortalized his half-way house roommate Big Craig as Don Gately in the novel, using almost exact elements from Craig's life without having the courtesy to garner permission first."
“All art is an act of appropriation.” Mariana says. "He was just doing what every artist does. What Jack Kerouac did. What you sometimes do. Vivisecting his environment and transitioning his phenomenological observations of the world on to paper."
I tell Mariana yeah but its different.
“I don’t go to rehabilitation facilities where people who have had a much more arduous life than I can possibly fathom are emotionally incubating and trying to heal and then copy their life story verbatim and present them as thinly veiled fractals of my imagination and then get a 500,000 Whiting grant and then refuse to flippantly acknowledge that you fucked over friends by loosely fictionalizing the rungs of their recovery."
I tell her that it doesn't diminish DFW's greatness as a writer but that it makes him a sociological slimeball as a human being. I tell her she wouldn't like it if I made money from writing thinly veiled composites of her prostituting her thighs while shooting up heroin.
“You were shooting heroin. I may drink all day but
at least I wasn’t fucking lancing syringes into my veins.
Mariana tells me that she shot heroin by choice but I can't seem to punctuate a goddam sentence without crushing a can of beer.
I tell her to crush this. As a rule I don't drink in front of my recovering opiate girlfriend. I wedge open my fridge, rip out a 24 oz can of beer, chug it in front of her with one tilt of my neck before handing her the empty aluminum silo.
"Happy anniversary, honey. Now go write about my vices and make fuckin' millions." I say, being facetious, handing her the vacant can.
Mariana pushes me. She tells me that I am an addict and am in serious denial and that I am probably going to die. I tell her that I already feel dead and that drinking and writing are the tandem pillars that makes me feel alive. She calls me a dick. The next thing I know Mariana’s palm slices
into the side of my face in stuttered snaps and scattered applause. She is cussing me out for dredging up the
past. She is wishing death on me for drinking all the time. She is on her knees in a fetal posture facing
Mecca as if in supplication. She is crying. She is wondering why we fight all
the time. She is wondering why things never work out between us. She is quoting
step ten from the twelve step program again and again like a prayer bead
mantra.
She then asks me simply to hold her.
I tell her no.
I kick the beer can near her feet as if it were a hockey puck. I thunder down the carpeted steps towards the entrance to my apartment. The last thing I want her to hear is the sound the
front door to my apartment makes as it echoes into forlorn syllables christening goodbyes.
***
I am still waiting outside Western Liquors for my Sunday tradition of a 12 pack and a copy of the New York Times. I love everything about the Sunday edition. I love how it’s sprawling and looks like it is about ready to hatch into a narrative embryo of spluttered ink.
The newspaper is an epistle of cultural edification and intellectual growth.
I love the political pandering and social opines of
Frank Bruni and Thomas L. Friedman in the Sunday Review. I love the gamboling
narratives in the obituaries. I love the Art section and collect the Book
Review in a dossier riddled heap in the blue my writing room. I love the Style
section and Modern Love. I love reading about how the BOSS culled collected
millions in Sunday Business. I metaphysically masturbate to the prose of the New
York Times Magazine: I’m addicted to the WHO MADE THAT column. The ethicist. I have perforated cut outs of recipes culled from the EAT and DRINK columns adorning the interior of my kitchen cabinets.
I love that fifteen years ago I had the privilege of
introducing George Saunders at a book signing because no one knew who he was
and he appeared on the cover of the magazine heralding him as the great scribe of the American short story.
But every Sunday, after about seven or eight beers, smoking cigars while blasting NPR in the background its always the same. I get obsessed drooling over the VOWS and WEDDING Announcement section at the back of the style section. Beautiful men holding men and women holding women and young yuppie couples whose teeth are so white they look like linoleum that has been commissioned and blessed by the Vatican, incisors resembling crisp ivory stumps culled from the eraser of a #2
grade school pencils. It’s like they gargled with white out or harbored a
hardcore make-out session with a bottle of bleach.
Sixty-five percent of the heterosexual announcements seem to make it
a salient point to note the esteemed vocation of the couples progenitors which seems to be Doctors or marketing heads of prestigious companies. Eighty percent seem to managerial professions in their lid-to-late twenties.
Stop by the corner of Waverly and Ayres in West Peoria any Sunday morning and you will see this writer on his back porch, sipping a cup of coffee while nursing a cigar, a few crushed beer cans splattered on his back porch like aluminum confetti holding the Sunday New York Times in front of him like a glove compartment atlas leading no where, rustling the geometric flap of the page, swiping my head back and forth, wondering how someone gets a life like that.
How the fuck does someone get assigned a life of promise and hope simply by being born.
***
..."Almost in the way a man who is not used to searching in the forest for flowers, berries, or plants will not find any because his eyes are not trained to see them and he does not know where you have to be particularly for the lookout for them. Similarly, someone unpracticed in philosophy passes by all the spots where the difficulties are hidden in the grass, whereas someone who has had the practice will pause and sense that there is a difficulty close by even though he cannot see it yet."
***
After I break up with Mariana Maxie-pad and I go across the street
to the Owl’s Nest. It is ten dollar bucket night and after a half-hour I have
already drained through two. The lady seated on the corner of the bar with her biker boyfriend looks familiar. She is clad in a leather skirt and black boots. Her skin is the color of a bridal shower doily. I know her somewhere but I just can't put my finger on it.
She waves like she is making shadow puppets with her fingers.
She tells me that her name is Cherie-Li.
"Everyone calls me Cherry-Tree. You know. Like what
George Washington refused to tell a lie about after he cut it down."
Her boyfriend seems disgruntled. When I reach to shake his hand he offers a huffingscowl in return. I look at Christine the bartender and order another bucket. I order a round of shots for the three of us. The girl sitting next to me has he chin slightly tilted like she is looking up.
We clink in stuttered unison and down our shots. I tell her that I know I know her from somewhere. Cherry-Tree blushes and then looks down.
"I used to clean the building where you worked about three years ago. I was always really shy when I was around you. When we first met you went to shake my hand only I was wearing my disposable gloves and pulled my hand back and you told me not to worry. That you didn't mind latex."
Cherry-Tree continues to laugh. Her boyfriend slams his beer down like he is issuing a court verdict. Cherry-Tree holds a finger and tells me to wait one minute as she follows him out the side door of the bar. A lone beer idles in the bucket of ice like an artic buoy.
Fifteen minutes later Cherry-Tree reenters the bar. I ask her if her boyfriend is okay. She tells me he is a douchebag.
“He's actually known I've had a crush on you for a while. You look just like Eddie Vedder from Pearl Jam. I love your long hair.”
I try to divert attention. I order another bucket and continue to pound beers. I point to her tattoo. Etched into the ashen interior of her left forearm is an upside down velvet cross. At the edge of each plank is a feminine cartoon character from the mid-eighties. Each female cartoon character is caricatured as battered and bruised. Rainbow Brite looks like she is on a three day Chrystal Meth binge. There is a pinkCare Bear with a patch over one eye.There is Smurfette smoking a clove cigarette. On the top of the upside down cross there is an animated phylum with a tail I can't identify.
I point and ask what's that on top.
“It’s a Thunder Cat silly.”
“It looks like a girl.” I say Cherry-Tree laughs
again.”
She tells me it’s Cheetara. The female Thundercat. I tell her that I didn't realize there were female Thundercats.
“Of course there is.
How do you think the male Thundercats get off?"
"Oh," I say again. I touch my hand over Cherry-Tree's kneecap.
She laughs with her head tilted back.
I order another bucket of beer.
***
"...And this is no wonder for someone who knows how long even the man with practice, who realizes there is a difficulty, will have to search before he finds it.
"When something is Well Hidden it is hard to find."
--Wittgenstein, The Nature of Philosophy.
***
It is fifteen minutes later and we find ourselves ensconced in the center stall of the Girls' bathroom in the Owls Nest. Cherry-Tree's top is off. Both of us are making panting motions in four-four allegro time signature. Our torso's form a snapping nest, a straddling pentagon of kneecaps and thighs. Mid-way through what feels like a back seat junior
high makeout session Cherry-Tree tells me that she has wanted to do this
for so long.
Two girls enter the stall to our imminent left and clank
the door shut, casting sniffling sounds like they are enduring seasonal allergies. Her tongue makes little aquatic squirms and lallation's when she kisses and the next thing I know she is biting into my neck hard, drawing blood.
I push her back. I ask her what the fuck. She smiles. As if in mid head-butt she attacks the side of my jugular again. There is a corsage of crimson blood dripping from
the stump of my neck in splotches. Her lips looks like she just made out with
an inbred harlequin. It is all my blood. She is telling me that she want to bite
me. That she wants to devour me. She using the phrases from the Eucharist, the
poetry of mingled platelets; aesthetic of antibodies.
I ask her what the hell she is doing. She continues
to gnaw.
The girls in the stall over apparently have left. We are the only ones in the restroom. It is still a good twenty minutes until last call.
I try to grab a stream of toilet paper to daub but she swats my hand.
She invites me over to her apartment and tells me
that she wants me to tie her up and eat her out next week while she is having
her period. She says she wants to make facemask out of menarche and pad it on
my head so I can look like a tribal warrior.
She tells me that she needs fingers inside of her.
She tells me that she needs blood.
I try to get her to calm down. I want to go back to the bar and order another bucket and just watch sports highlights being counted down in reverse.
"Okay," I tell her, looking at her Thudercat tattoo, pressing my forefinger, into her mouth as if I am nursing an ill-piglet.
I can hear an audible crunch as Cherry-Tree masticates into my flesh, rivulets of blood streaming down her chin.
It is like I am trying to feed a toddler with a spoon by playing a game of airplane. It is like I am feeding her medicine.
She is trying to swallow.
The possibility of every single thing shows us
something about the nature of the world
***
The Sunday New York Times is tucked under my arm like a baguette. There is 12-pack of PBR dangling gradeschool-lunchbox fashion in the other. Walking home in the alley behind Western Liquors are two men I have never seen before. Their faces are a mixture of kitty-litter and cardboard. One is wearing a camouflage military coat. One is bent over throwing up what looks like shampoo bubbles. They both have tousled and oily hair. The one who is not throwing up is patting his companion on the back in almost congratulatory fashion. His ear is bleeding as if it has just been cut.
I set down my newspaper and beer and inquire if they are okay.
The one who was throwing up nods and claims that he just had some shit in his system.
“I was downtown drinking last night and I actually
had a seizure and started foaming from the mouth and all sorts of shit. They
even called and ambulance and shit."
I ask them if they are alright. They answer both in unison telling me that they are fine. That this shit happens all the time.
"We had breakfast down at the Mission. You have to sober
up first before you go in there for breakfast. If yer drunk they won’t let you in.
You also have to stay for chapel but we managed to sneak out since I still had
my medical bracelet on showing I was in the E.R last night.”
I sit down next to them. I want to buy them food but have spent the 20-spot on the beer and the paper. Instead I hand each of them a beer. I ask the gentleman if his ear is okay. The one who has just been throwing up spumes cackles and coughs and points to the top of his friend's forehead.
"The reason his ear bleed is because there is a bullet stuck in the top of his skull. It's some crazy Frankenstein shit. Look."
He lifts up his friend's bangs as if checking his temperature. A cylindrical lump protrudes.
"Watch this shit. This shit will fuck you up."
As if pressing a sticky elevator button in a department store he pushes his finger into the top of his friend's head. He again tells me to look at this shit. Rhetorically inquiring that it is some crazy shit.
I look at the flesh attired bullet in awe. It is the size of the copper I always keep in my pocket that the love of my life gave me at the Art Institute of Chicago as a spiritual talisman long ago.
“I’ve had it in my skull since ’97. We were drunk off 211 playing Rush and Roulette. We weren't really shooting it. Just spinning the gun like a bottle on the top of the bar and it went off. Just exploded in this flash and the next thing I know there is blood everywhere
“Yeah, a doctor once said if he’d remove it I die. I
call in my good luck forehead nipple.
His friend laughs in a little snort at the word nipple.
He says before he used to drink all the time he used to have girls lick it for good luck.
“Now people just rub it for good luck. You are more than welcome to rub it for good luck if you like.”
“Does it work?” I ask him. He tells me that every time someone rubs it a beer somehow magically appears.
“I think that’s why the good Lord he give me this infliction. Even though I’m ugly as shit and drunk all the time and it hurts so much. I think the good lord he give me this infliction so that people can rub it and have something to give them hope and believe in.”
I press the swirls of my fingers into the top of his forehead.
It feels like I am massaging a nugget of burrowed gold.
*** When I arrive home from the Owls Nest the only thing I can find to wrap my finger in is a copy of the morning paper. I walk to my keyboard and begin to type out my mantra by Wittgenstein, even though I am fairly certain that my forefinger is broken, even though it looks like a white trash sanitary napkin, I continue to write my mantra until I fill up the contours of the page waiting for the narrative breath somehow to arrive. I continue to type. I continue to bleed.
***
After I was sexually molested in my early-teens I couldn’t brush my teeth. The toothbrush felt like a cock being rammed down my throat. The paste tasted like minty semen. I would brush my teeth and I would involuntarily gag. I would go through periods where I would only bathe once or twice a week. I limped in languor, wandered around in a torpid daze trying to discern what was wrong with me.I carved up patches of my skin, watching the blood slit and flare like lines on crimson sheet music inside the albino interior of my arm.
I hurt.
Years later, after collegiate renderings of formative Freud and reading about the psychological correlation between adolescent molestation and adult addiction I can’t help but note the phallic contours of a bottle of beer, the stale, flat pee-colored waste ofa libation leftover on the windowsill from a night of hedonism. How I wonder if, from a subconscious Freudian pining, the reason I feel the need to drink so much is because I am trying to put something back inside my body that was taken long ago. Like I am trying to give a blowjob to every bottle of beer I press into the split-hyphen my lips. Like I am trying to wash out the pain and the loneliness and the confusion I felt all the years. Like I am trying to baptize my palate with the holy ablution of hops, hoping to slough the identity of the person I have become and hatch into the promise of the man I yearn to be.
Like I am trying to be born again
I think about the yuppies with the perfect teeth in the New York Times Wedding announcements.
I wonder if they ever learned how to hurt.
I wonder if they ever learned how to bleed.
I smile.
***
I moved back
to West Peoria two years ago, exactly one block from where I grew up. Almost every morning
someone is outside pilfering through green trash cans dotting the front of the
street. There is a man in an electronic wheelchair. His girlfriend is with him.
She has bad teeth and a misplaced Dora Maar nose. Beneath her left eyelid is a homemade tattoo that looks like it was made with a blue pen. At first glance it looks like an aquatic string of teal flavored Christmas bulbs. On second assessment it appears to be an inky drip of tears.
They are beautiful. Part of
my chest swells up simply looking at them.
I ask him
what he is doing. He tells me he is canning.
His name is Gus and they are both from southern
Illinois.
“We get about three hundred dollars from the state
every month due to disability but I’ll be god damned if that even takes care of
rent.”
He tells me they need money for food and cigarettes.
I ask him how much he makes canning.
“You can make good money if you are willing to work. We normally go out at five in the morning so we can get behind bars and look for whatever’s leftover.
Gus says that the Owls Nest is a gold mine and they
can normally find at least 10 crushed cans of BUSCH LIGHT behind the
bar at any given time.
I tell him that I will place my cans in a bag and
tie it to the green garbage bin and that he can just pick up on Thurs morning
before the trash comes. Gus says thanks. I feel moved. I reach in my pocket and
give him a complicated handshake while slipping him a twenty.
“It’s not much but I know it’s rough as shit out
there. You guys are beautiful people. Hang in there. It gets better, man. I
swear. It just fucking does.”